Andreas Grahl is generous: his design is much more than what we perceive at first sight. Grahl's works wink at us and reveal that they have three souls: they are art objects, furniture and in a very special sense also monuments of light all at once. As eclectic designs

they combine both an artistic-sculptural and a photographic claim.

Andreas Grahl himself is similarly multi-layered. He initially studied Photography at the Leipziger Hochschule für Grafik und Buchkunst’ - Academy of Visual Arts and during this time applied himself more and more to sculpting.

His sculptures de-construct reality thereby opening up a different way of looking at everyday life.

Born in Berlin in 1964, he enjoys working with weighty material such as metal. He plays with its ductility, with formability as such.

In this sense “Eckenschoner” is an example of a very special object. It looks like a vermicular, long structure which, placed in one corner, seems to connect two walls.

Daylight falling in sets a stage for the shimmering surface.

Here Andreas Grahl acts in his capacity as photographer and turns his design objects into platforms for the light to play with.

Andreas Grahl's light objects also take up this idea, connecting geometric forms with one another and consciously keeping an improvisatory tone. Freely based on the motto: It's time to play!