This makes the object appear
sleek, the form of the glossy porcelain suggests a soft seat.
“Quing Zuo” is not only an exceptional piece
of furniture. The porcelain seat also represents Judith van den
Boom's definition of modern design: for her it is simultaneously
an experiment, a performance by different materials and an inter-pretation
of the perceived surround-ings.
Judith van den Boom wants to stimu-late and stir up the intellectual
world of the viewer. And porcelain acts as the elegant instrument
of seduction. |